Volume 19, December 2025
The Double Bass: Becoming the Foundation of the Orchestra by Victoria Bakewell and The Heartbeat of Jazz: The Multifaceted Role of the Jazz Bass through the Eyes of Jazz Architects by Dr. Seungyoung Hong
Volume 18, February 2024
E-portfolios as Learning Tools for Applied Double Bass Study; a Research-Based, Practice Oriented Approach by Mark Elliot Bergman
Volume 17, June 2023
Learning Strategies for Complex Rhythms: Approaching Richard Barrett's splinter for contrabass solo (2018-2022) by Kathryn Schulmeister
Volume 16, October 2022
A Technical Guidance for the Dragonetti Concerto In A Major By Édouard Nanny and Beyond by Irmak Sabuncu
Volume 15, June 2022
Different Strokes: Giambattista Cimador's chamber music arrangement of Mozart's Haffner (no. 35) and Paris (no. 31) Symphonies by Mark Elliot Bergman
Volume 14, January 2022
Musculoskeletal symptoms of double bassists: a literature synthesis by Frances Levenderis and Bridget Rennie-Salonen
Volume 13, August 2021
Sperger's Cadenzas for his Contrabass Concertos: A Study of Compositional Techniques and Improvisational Strategies for Creating Cadenzas by Renaud Boucher-Browning
Volume 12, July 2021
Soave armonia or brummende Violone? Let's talk bass . . . When is a bass not a double bass? by Joëlle Morton
Volume 11, December 2019
The Downbeat Bites the Dust: Learning and Teaching Bass Grooves in Cuban Popular Music by Sarah Lahasky
Volume 10, May 2019
Intonation in the Performance of the Double Bass: The Role of Vision and Tact in Undershoot and Overshoot Patterns by Fausto Borém and Guilherme Menezes Lage
Volume 9, September 2017
Koussevitzky's Double Bass Repertoire: A Reassessment by Andrew Kohn, Ph.D.
Volume 8, January 2017
Revolution in Action: A Motivic Analysis of Ghosts: First Variation As Performed by Gary Peacock
Volume 7, December 2015
Stephen G Buckley: Beethoven, the Viennese Violone, and the Problem of Lower Compass.
Volume 6, August 2015
Shanti Nachtergaele: Examination of mid-nineteenth century double bass playing based on A. Müller and F.C. Franke's debate in the Neue Zeitschrift für Musik, 1848 - 1851.
Volume 5, April 2015
Fausto Borém, Alfredo Ribeiro, Gustavo Neves, João Paulo Campos, and Rodrigo Olivarez: Lino José Nunes's 1838 Methodo: Historical, Analytical and Editorial aspects of an Afro-Brazilian Double Bass Jewel
Volume 4, November 2012
Regan Brough: Walk That Dog: The Emergence of Walking Bass Lines In Jazz
Volume 3, January 2012
Alexandre Ritter: Franco Petracchi and the Divertimento Concertante Per Contrabbasso E Orchestra by Nino Rota: A Successful Collaboration Between Composer And Performer
Volume 2, August 2004
Shanon P. Zusman: A Critical Review
Volume 1, July 2003
Michael D. Greenberg: Perfecting the Storm: The Rise of the Double Bass in France, 1701-1815.
© 2003 - 2025 International Society of Bassists. All rights reserved.
Items appearing in the OJBR may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the International Society of Bassists, and advance notification of the editors of the OJBR.
Any redistributed form of items published in the OJBR must include the following information in a form appropriate to the medium in which the items are to appear:
This item appeared in The Online Journal of Bass Research in [VOLUME #, ISSUE #] in [MONTH/YEAR], and it is republished here with the written permission of the International Society of Bassists.
Libraries may archive issues of OJBR in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of the OJBR and the International Society of Bassists.
Citations to articles from OJBR should include the URL as found at the beginning of the article and the paragraph number; for example:
Volume 3
Alexandre Ritter, "Franco Petracchi and the Divertimento Concertante Per Contrabbasso E Orchestra by Nino Rota: A Successful Collaboration Between Composer And Performer" Online Journal of Bass Research 3 (2012), <http://www.ojbr.com/volume-3-number-1.asp>, par. 1.2.Volume 2
Shanon P. Zusman, "A Critical Review of Studies in Italian Sacred and Instrumental Music in the 17th Century by Stephen Bonta, Burlington, VT: Ashgate Publishing Co., 2003." Online Journal of Bass Research 2 (2004), <http://www.ojbr.com/volume-2-number-1.asp>, par. 1.2.Volume 1
Michael D. Greenberg, "Perfecting the Storm: The Rise of the Double Bass in France, 1701-1815," Online Journal of Bass Research 1 (2003) <http://www.ojbr.com/volume-1-complete.asp>, par. 1.2.
This document and all portions thereof are protected by U.S. and international copyright laws. Material contained herein may be copied and/or distributed for research purposes only.
