| Volume 11, December 2019The Downbeat Bites the Dust: Learning and Teaching Bass Grooves in Cuban Popular Music
by Sarah Lahasky
 References Ameen, Robby and Lincoln Goines. Funkifying the Clave: Afro-Cuban Grooves for Bass and Drums. New York: Manhattan Music Publications, 1993. Arango, Feliciano and Cherina Mastrantone. El Bajo Contemporáneo de La Timba Cubana. New York: ArangoTones, 2008. Baker, Geoff. "'La Habana que no conoces': Cuban Rap and the Social Construction of Urban Space." Ethnomusicology Forum 15, no. 2 (2006): 215-46. Blanco, Jesús. Ochenta años del son y soneros en el Caribe. Caracas, VZ: Tropykos, 1992. Chernoff, John Miller. African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms. Chicago: The University of Chicago Press, 1979. García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music. Philadelphia: Temple University Press, 2006. Gónzalez, Neris, and Liliana Casanella. "Septeto." In Encyclopedia of Latin American Popular Music, edited by George Torres. Santa Barbara, CA: Greenwood, 2013. Hermida, José Ernesto. 2018a. Interview by the author. June 13, 2018, Vedado, Havana.  ____________. 2018b. Interview by the author. June 19, 2018, Vedado, Havana. __________________. 2018c. Interview by the author. June 22, 2018, Vedado, Havana. __________________. 2018d. Interview by the author. June 23, 2018, Vedado, Havana. "López, Israel 'Cachao.'" In Encyclopedia of Popular Music, edited by Colin Larkin. New York: Oxford University Press, 2006. Madrid, Alejandro L. and Robin Moore. Danzón: Circum-Caribbean Dialogues in Music and Dance. New York: Oxford University Press, 2013. Monroy Romero, Juan Manuel. "An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz." Doctoral Essay, University of Miami, 2017. Moore, Robin. "¿Revolución con Pachanga? Dance Music in Socialist Cuba." Canadian Journal of Latin American and Caribbean Studies 26, no. 52 (2001): 151-77. Moore, Robin. Music in the Hispanic Caribbean: Experiencing Music, Expressing Culture. New York: Oxford University Press, 2010. Perna, Vincenzo A. "Dancing the Crisis, Singing the Past: Musical Dissonances in Cuba during the Período Especial." Journal of Latin American Cultural Studies 11, no. 2 (2002): 213-29. ________________. Timba: The Sound of the Cuban Crisis. Burlington, VT: Ashgate, 2005. ________________. "Timba." In Encyclopedia of Latin American Popular Music, edited by George Torres. Santa Barbara, CA: Greenwood, 2013. Puerto, Carlos del, and Silvio Vergara. The True Cuban Bass. Petaluma, CA: Sher Music Co, 1994. Roy, Maya. Cuban Music. Princeton: Markus Wiener Publishers, 2002. Sublette, Ned. Cuba and Its Music: From the First Drums to the Mambo. Chicago: Chicago Review Press, 2004. Uribe, Ed. The Essence of Afro-Cuban Percussion and Drum Set. Los Angeles: Alfred Publishing, (1996) 2006. Vaughan, Umi. Rebel Dance, Renegade Stance: Timba Music and Black Identity in Cuba. Ann Arbor: University of Michigan Press, 2012. Zaldivia, Caridad. 2018a. Interview by the author. June 11, 2018, Convento de San Francisco, Old Havana. ______________. 2018b. Interview by the author. June 13, 2018, Convento de San Francisco, Old Havana. ______________. 2018c. Interview by the author. June 15, 2018, Convento de San Francisco, Old Havana.   |