Volume 8, January 2017
Revolution in Action: A Motivic Analysis of "Ghosts: First Variation" As Performed by Gary Peacock

by Robert Sabin, Ph.D.


Bibliography

Ayler, Albert. Spiritual Unity. Esp Disk Ltd., 1964. Audio Recording.

Buium, Greg. "Gary Peacock Interview, Pt. 1." Cadence 27 (2001): 9–15. Print.

---. "Gary Peacock Interview, Pt. 2." Cadence 27 (2001): 5–13. Print.

Bley, Paul, and David Lee. Stopping Time. Montreal: Véhicule Press, 1999. Print.

Bley, Paul, and Norman Meehan. Time Will Tell. Berkeley: Berkeley Hills Books, 2003. Print.

Cogswell, Michael. "Melodic Organization in Two Solos by Ornette Coleman." Annual review of jazz studies 7 (1994): 101–144. Print.

Dorham, Kenny. "Albert Ayler: Spiritual Unity." Downbeat 15 (July 1965): 85. Print.

Gridley, Mark C. Jazz Styles: History & Analysis. Upper Saddle River: Prentice Hall, 2006. Print.

Hindemith, Paul. The Craft of Musical Composition: Theoretical Part. New York: Schott, 1970. Print.

Jost, Ekkehard. Free Jazz. Boston: Da Capo Press, 1975. Print.

Litweiler, John. The Freedom Principle. Boston: Da Capo Press, 1990. Print.

Meehan, Norman. "After the Melody: Paul Bley and Jazz Piano After Ornette Coleman." Annual Review of Jazz Studies (2002): 85–116. Print.

---. "Paul Bley's High-Variety Piano Solo on 'Long Ago And Far Away.'" Downbeat 76, no. 3 (2009): 98–99. Print.

Quersin, Benoit. "Les Horizons De Peacock." Jazz Magazine (Jan. 1965): 24–29. Print.

Sabin, Robert. "Gary Peacock: Analysis of Progressive Double Bass 1963-1965." Ph.D. diss., New York University, 2015. Print.

Wilmer, Valerie. As Serious as Your Life. London: Serpent's Tail, 1977. Print.